Joshua Burnell York, UK
In one phrase? Folk-fused baroque ‘n’ roll for the modern world.
With music ranging from stomping,
acoustic sing-alongs, Bowie-esque music hall epics, and alt-pop singles - whilst keeping a sharp focus on the traditional themes - Joshua is fast carving out his own unique corner of the genre.
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supported by 8 fans who also own “Look At Us Now (Mercury Mix - Live On The Arts Barge)”
Darling Charms - Would've thought NK would have learned her lesson after the Port 'n' Brandy 😘 xx This whole EP is bangin' btw. Beautiful work xx
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supported by 7 fans who also own “Look At Us Now (Mercury Mix - Live On The Arts Barge)”
Three for three with this one! Great songs, stellar musicianship and creative harmonies. What’s not to love?
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supported by 7 fans who also own “Look At Us Now (Mercury Mix - Live On The Arts Barge)”
Brilliant line up! cant wait for the full album👍
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Nippon Acid Folk 1970-1980
by Time Capsule
The experimental spirit permeating this collection of Japanese acid folk foreshadowed the arrivals of city pop, the psych revival, and folktronica.
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Would the Light Hold Me
by Oceanique
Celtic-inspired instrumentation, delicate harmonies, and reflective lyrics abound on the sisterly indie-folk duo's debut album.
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Introspective pop songs with transcendent melodies offer a joyful meditation on staying present in a world that often moves too fast.
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Bloody Noses EP
by Richard Thompson
supported by 7 fans who also own “Look At Us Now (Mercury Mix - Live On The Arts Barge)”
John Drumbo French from Captain Beefheart and The Magic Band worked with Thompson on two albums along with Fred Frith and Henry Kaiser. Those two French, Frith, Kaiser and Thompson albums led me to this. Also, Richard Thompson taught Hugh Cornwell (of The Stranglers) how to play the bass guitar in a band when they were both at the same school (Emil and The Detectives?). With a career spanning 50 years and playing with two of my heroes (French and Cornwell) Thompson has produced a fascinating EP.
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