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Glass Knight

by Joshua Burnell

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    What the media are saying:
    “A boundary-pushing, and thoroughly satisfying, album by a creatively fearless artist. 5/5" - RnR Magazine
    “Joshua Burnell's music has always thrived on the blurring of boundaries. However, with Glass Knight, his most daring and deeply rewarding album to date, he's written music that simply refuses to recognise their existence."  - Folk Radio UK
    "Plays like a lost out-take from Spiders-From-Mars-era Bowie" - Financial Times
    “Coloured with glam, psychedelia and 70s folk/pop, Glass Knight is a redefining album in much the same way as Ziggy Stardust" -  Folking.com
    "An album with real depth – irresistible and sublime songs that offer thought-provoking pathways." - At The Barrier
    "A musical work of genius" - Get Ready To Rock
    “A dizzying amount of craft, musical influences and layers of sonic excellence, this album is exceptional. It bristles with the aura of a disc that should win awards this year.” - Folk Phenomena
    "Burnell is an artist never afraid to push the boundaries... his skill as a storyteller is immense." - Folk & Tumble
    “His music takes on chameleon dimensions with alt-folk, glam rock, & classical influences – musics of the past which he skilfully brings to the present." - Irish Music Magazine
    “Joshua Burnell has been described as a figure on the folk scene to watch: this record leaves you in no doubt why.” - Tykes Stirrings
    "Much of it would fit comfortably in a Peter-Gabriel era Genesis set (though said group never wrote anything as catchy as Don't Lose Your Faith). - The Observer
    "It is his best work yet" - York Press

    All songs © Joshua Burnell

    Includes unlimited streaming of Glass Knight via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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1.
There's a spill of bloodshed right across my name And you know, my own sweet lady that I could never go there again There'a a crack that's formed in space and time I'm in the space between And I can't help but feel that nothing is real any more Those voices - oh, they're screaming again desperate to be heard from the depths of a river of sterile white and though I try - I try - to claw my way back through the looking glass well I can't help but feel that nothing is real any more My skin is made of crystals - nothing worth the pain Am I really me, sweet lady or just a memory of who I used to be? Don't sell me tales of permanence - I know there's no such thing And I can't help but feel that nothing is real any more Oh, last night a premonition of dreams showed me a thousand live wires crawling into your brain Hive-mind, life-blind, plug yourself into the ego-machine And I can't help but feel that nothing is real any more Behind those eyes, where planets collide I'm a moonlighter, moonclimber trying to find my way back to the ground Behind those eyes, where planets collide I'm a moonlighter, moonclimber trying to find my way back to the ground Behind those eyes, where planets collide I'm a moonlighter, moonclimber trying to find my way back to the ground Behind those eyes, where planets collide I'm a moonlighter, moonclimber trying to find my way back to the ground And I'll vanish in the blink of an eye You won't notice the light's gone down and the song's stopped singing I'm haunted by the jealous love of sisters from fairytales And I'm straining to see where I'm meant to be Turn it to black There's blood on my back I can't help but feel that nothing is real any more
2.
So here we are in the Space Between I guess I'm not the man that you thought I'd be I've been spinning all these different lives since the stars came through I can't promise you peace but I'll share them with you I can help you look but I can't make you see Don't blame yourself and don't blame me We're out of these worlds and just for a moment let everything slow and see yourself They gaze at me from behind glass spheres but I can't fix their sins or forgive their fears I can show you some of what is done and what's to be So hold onto your breath - this might just sting I can help you look but I can't make you see Don't blame yourself and don't blame me We're out of these worlds and just for a moment let everything slow and see yourself
3.
Last Rain 04:21
When the last rain falls we'll dance in the fire When the last rain falls we'll sing all the while When the last rain falls we'll see ships in the sky When the last rain falls you know they'll leave us behind I want to see the world out there I want to know what we're fighting for Hey, Violet, here's to you Hey, Violet, here's to you When the last rain falls our faces will shine When the last rain falls 'cause we are one of a kind I want to see the world out there I want to know what we're fighting for Hey, Violet, here's to you Hey, Violet, here's to you When the Glass Rain falls we'll sit and look at the sky I'll see the last, red rays reflected back in your eyes I want to see the world out there I want to know what we're fighting for Hey, Violet, here's to you Hey, Violet, here's to you
4.
Hey, pilot, where we going? Been riding on this ship so long You steering us home or to the apocalypse? Has it really come to this - a borrowed word, a hollow kiss? Still, I played my part Holding onto patchwork wings Fly us on to greater things Black wax melts, it's running thin I didn't know the fault was mine - can I unpick my stitch in time? Still, I played my part I played my part Fly high, fall far I played my part, I played my part Oh yeah, I played my part Before you try to do what's right remember, it's an uphill fight a fallen angel's mocking you As he forces me to tears I'll scream into his covered ears: still I played my part I played my part Fly high, fall far I played my part, I played my part Oh yeah, I played my part If everyone who ever lived met in some eternal bliss to share their stories and what they'd left when they turn to look at us and say, "Just look at what you've done," still, I played my part I played my part Fly high, fall far I played my part, I played my part Oh yeah, I played my part Oh yeah, I played my part I played my part I played my part I played my part I played my part I played my part I played my part I played my part I played my part
5.
Glass Knight 04:50
When the worm came - scales of steel, laying all the fertile ground to waste Then the words came - whispers as first claiming any man would die, just from looking in the monster's eyes So they called you here, like a tonic to fear But where did you go, Glass Knight? 'Cause you'll always find there's nothing behind the eyes of the young Glass Knight So you rode out, morals in hand, strapping those reflections to your flesh The fiend rose, seething with sin But one look at his own face sent the monster reeling recoiling and reeking to the ground So they called you here, like a tonic to fear But where did you go, Glass Knight? 'Cause you'll always find there's nothing behind the eyes of the young Glass Knight But when the people cheered and came to the place they saw their imperfections mirrored in your face They were sobered and sickened ashamed by their own disgrace So they fractured and smashed you and kicked you into the ground So they called you here, like a tonic to fear But where did you go, Glass Knight? 'Cause you'll always find there's nothing behind the eyes of the young Glass Knight When the worms come, they summon you here stir you from your crystal coffin cold When the job's done, they banish you back before they see reflections, the leeches and the larvae in their minds 'Cause they called you here, like a tonic to fear But where did you go, Glass Knight? 'Cause you'll always find there's nothing behind the eyes of the young Glass Knight 'Cause they called you here, like a tonic to fear But where did you go, Glass Knight? 'Cause you'll always find there's nothing behind the eyes of the young Glass Knight
6.
I once fell for a lunatic She loved me well for just one trick Every day, she'd hang me on her wall and ask if she was beautiful And she was - god, I loved her so until I met a girl called Snow Oh, you're fairest of them all Oh, well now I've seen it all Oh, you're fairest of them all Oh, well now I've seen it all I've seen it all "Mirror, dear, Mirror on the wall there's someone else you've fallen for," Showed her Snow; admitted it was true There's other kinds of beauty too See those lines crawling from her eyes? Each one was carved there by a smile Oh, you're fairest of them all Oh, well now I've seen it all Oh, you're fairest of them all Oh, well now I've seen it all I've seen it all "You broke my heart just see what I can do with poison apples, huntsmen too," Knights rode in; we broke into a run She screamed at me: "What have I done?" "Looking Glass I struggling to see just who is looking back at me." Oh, you're fairest of them all Oh, well now I've seen it all Oh, you're fairest of them all Oh, well now I've seen it all I've seen it all You said I, you said I, you said I, you said I, you said I, you said I She said, "I loved you true in sickness and health," I said, "You never loved me but you loved yourself" She said, "I loved you true in sickness and health," I said, "You never loved me but you loved yourself" She said, "I loved you true in sickness and health," I said, "You never loved me but you loved yourself" She said, "I loved you true in sickness and health," I said, "You never loved me but you loved yourself" Oh, you're fairest of them all Oh, well now I've seen it all Oh, you're fairest of them all Oh, well now I've seen it all, I've seen it all
7.
You made your own way You came from dirt You came from boys don't cry and never hurt You sold the family farm and all you owned to buy those ruby shoes to get back home But when you're on your own in that place it'll be ok don't lose your faith you'll be on your own, don't lose your faith you'll be on your own, don't lose your faith You're not the only one No, not the only one Did you ever dream you're made of glass? And when you hold somebody your skin just cracks? We're living in a borrowed world See how they live Stuck on the outside just looking in But when you're on your own in that place it'll be ok don't lose your faith you'll be on your own, don't lose your faith you'll be on your own, don't lose your faith You're not the only one No, not the only one You'll see that mountainside You'll see dark stairs Keep finding open doors that go nowhere But when you're on your own in that place it'll be ok don't lose your faith you'll be on your own, don't lose your faith you'll be on your own, don't lose your faith You're not the only one No, not the only one You made your own way You made your own way You made your own way You made your own way
8.
Lucy 05:32
She had cheeks carved from chalkstone and a pair of celery eyes She'd win the minds of all the boys with that signature lipstick smile She folded up her troubles into a paper aeroplane flight and threw it back in the eyes of all those who sold her lies But there's no time like never to squander all of your dreams so watch out for this girl, 'cause she's not quite what she seems One more step for Lucy She'll rock all your days And all of your nights One more step for Lucy She'll rock all your days And all of your nights She made her way to the city like all the clichés she'd read She soaked up every word she heard and churned them up in her head She spun a wicked lyric and sang that kind of tune that wormed its way into all the kids' hearts and made them call it their own But there's no time like the present to wake up and live in your dreams so if you really love then tell her quick before someone else moves into her scene One more step for Lucy She'll rock all your days And all of your nights One more step for Lucy She'll rock all your days And all of your nights There's a clock in the corner and he's really quite deranged; he's got every segment of your life oh so neatly arranged There's a skeleton in his closet and he's not sure just what to do: to hand himself on in or to tick his last tock for you One more step for Lucy She'll rock all your days And all of your nights One more step for Lucy She'll rock all your days And all of your nights
9.
Do you know why the raven cries? I, I wonder how he flies with all that weight upon his wings he thinks of too many things and his voice is worn He's painted black from feather-tail to finger-nail and there's coal dust in his eyes he hides all his colours inside and he waits for the voice he needs to hear but the cat has got its tongue so he tries to pretend he's back when he was young Do you know why the raven cries? I, I wonder how he flies with all that weight upon his wings he thinks of too many things and his voice is worn Oh he turned his beak and faced into the gale and flew til he could no more from his lungs there spilled a call "I am here, I am here" but no one heard the sound and he fell to the ground I know why the raven cries I, I know just how he flies: because he dares to sing a different song how dreams and how he longs til his voice is worn til his voice is worn He's got that look in his eyes, he's got it and- What can I do to make it right? He's got that look in his eyes, he's got it and- What can I say to make it right? He's got that look in his eyes, he's got it and- What can I do to make it right? He's got that look in his eyes, he's got it and- What can I do to make it right? Do you know why the raven cries? I, I wonder how he flies with all that weight upon his wings he thinks of too many things and his voice is worn
10.
Am I really being? Or am I really sane? Or am I just an actor who doesn't realise they're on the stage? Am I really guilty when someone shifts the blame? Or was I just in the wrong place at the right time in some twisted game? If there's a god in the sky looking down on high can he tell me, please, am I living it wrong or right, tonight? I can't help but feel that nothing is real anymore Moonlighter's Child, don't take it so hard Wipe the blood from your hands and carry on Moonlighter's Child, don't take it so hard Wipe the blood from your hands and carry on Are we different people? Or are we all the same? Just sleeping out and waking into different lives over and over again? When it's done and over and we've lived every life there is to live all that cruelty and wisdom and hatred and loving what does it really mean? And on the day that our hero died the raindrops fell and the salt tears stung our eyes Does any of it really matter at all? Moonlighter's Child, don't take it so hard Wipe the blood from your hands and carry on Moonlighter's Child, don't take it so hard Wipe the blood from your hands and carry on Turn around, don't look in the light You gotta keep on running on into the night, you gotta Step away, don't look in the light You gotta keep on running on into the night, you gotta Turn around, don't look in the light You gotta keep on running on into the night, you gotta Step away, don't look in the light You gotta keep on running on into the night, you gotta Turn around, don't look in the light You gotta keep on running on into the night, you gotta Step away, don't look in the light You gotta keep on running on into the night, you gotta Turn around, don't look in the light You gotta keep on running on into the night, you gotta Step away, don't look in the light You gotta keep on running on into the night, you gotta Moonlighter's Child, don't take it so hard Wipe the blood from your hands and carry on Moonlighter's Child, don't take it so hard Wipe the blood from your hands and carry on

about

What the media are saying:
“A boundary-pushing, and thoroughly satisfying, album by a creatively fearless artist. 5/5" - RnR Magazine
“Joshua Burnell's music has always thrived on the blurring of boundaries. However, with Glass Knight, his most daring and deeply rewarding album to date, he's written music that simply refuses to recognise their existence."  - Folk Radio UK
"Plays like a lost out-take from Spiders-From-Mars-era Bowie" - Financial Times
“Coloured with glam, psychedelia and 70s folk/pop, Glass Knight is a redefining album in much the same way as Ziggy Stardust" - Folking.com
"An album with real depth – irresistible and sublime songs that offer thought-provoking pathways." - At The Barrier
"A musical work of genius" - Get Ready To Rock
“A dizzying amount of craft, musical influences and layers of sonic excellence, this album is exceptional. It bristles with the aura of a disc that should win awards this year.” - Folk Phenomena
"Burnell is an artist never afraid to push the boundaries... his skill as a storyteller is immense." - Folk & Tumble
“His music takes on chameleon dimensions with alt-folk, glam rock, & classical influences – musics of the past which he skilfully brings to the present." - Irish Music Magazine
“Joshua Burnell has been described as a figure on the folk scene to watch: this record leaves you in no doubt why.” - Tykes Stirrings
"Much of it would fit comfortably in a Peter-Gabriel era Genesis set (though said group never wrote anything as catchy as Don't Lose Your Faith). - The Observer
"It is his best work yet" - York Press

All songs © Joshua Burnell

credits

released August 11, 2023

All songs written, arranged, recorded, produced and mixed by Joshua Burnell. Mastered by Jon Astley.
Album artwork by Elly Lucas.

WHERE PLANETS COLLIDE
The song has two separate roles: it serves as an exposition for the album’s central character, and also acts as a commentary on our relationship with technology. In both cases, someone has gone down a rabbit hole they can’t get back from. It is accompanied by a piece of watercolour artwork painted entirely by artificial intelligence.

Credits:
Vocals, acoustic guitars, Hammond organ, percussion, string arrangement - Joshua Burnell
Electric guitar - Nathan Greaves
Bass guitar - Oliver Whitehouse
Drums - Ed Simpson
Violins - Kathleen Ord, Elizabeth Heyes-Lundie Violas - Ellen Brookes, Rhiannon Fallows Cellos - Greg Morton, Ele Leckie


OUT OF THESE WORLDS
Our character meets his maker in ‘the space between’. My favourite version of heaven is the ‘the wood between the worlds’ from C.S.Lewis’ The Magician’s Nephew, so I imagine it’s something like that.

Credits:
Vocals, pianos, acoustic guitar, bass guitar, synthesized glass - Joshua Burnell


LAST RAIN
In Saint-Exupéry’s Le Petit Prince, the different planets act almost like a series of vignettes, each with its own lesson or moral. I like to think of the album in a similar way. This is the first vignette: a young couple, abandoned on their planet in the midst of an apocalypse who decide to dance in the destruction. I wanted to answer the uncomfortable question, what would you do in the last moment before your destruction?

Credits:
Vocals, acoustic guitars, Hammond organ, synthesizers, drum programming - Joshua Burnell Electric guitars, backing vocals - Nathan Greaves
Backing vocals - Frances Sladen
Bass guitars - Oliver Whitehouse​


PLAYED MY PART
A reflection on the legacy of our generation with a view to climate change. A sort of prequel to Look At Us Now from Flowers Where The Horses Sleep.

Credits:
Vocals, acoustic guitars, piano, mellotron bass, string machine, drum programming, string arrangement - Joshua Burnell
Electric guitars - Nathan Greaves
Backing vocals - Frances Sladen
Violins - Kathleen Ord, Elizabeth Heyes-Lundie Violas - Ellen Brookes, Rhiannon Fallows Cellos - Greg Morton, Ele Leckie

GLASS KNIGHT
A retelling of an old folk tale from Saffron Walden with a new ending, serving to hold a mirror up to modern society.

Credits:
Vocals, acoustic guitars, bass guitar, piano, Hammond organ, synthesizer solo, glass percussion, drum programming - Joshua Burnell
Electric guitars - Nathan Greaves


LOOKING GLASS
Snow White but from the mirror’s perspective.

Credits:
Vocals, piano, acoustic guitars, string machine, music box - Joshua Burnell
Electric guitars, backing vocals - Nathan Greaves Backing vocals - Frances Sladen
Bass guitar - Oliver Whitehouse
Drums, backing vocals - Ed Simpson


DON’T LOSE YOUR FAITH
Sometimes, loneliness isn’t isolation, but feeling misunderstood or struggling with something people can’t help you with. This is about making the realisation that so many people are all feeling the same thing. The hard bit is making that connection.

Credits:
Vocals, piano, Hammond organ, bass guitar, drum programming, percussion, string arrangement - Joshua Burnell
Electric guitar, backing vocals - Nathan Greaves
Backing vocals - Frances Sladen
Violins - Kathleen Ord, Elizabeth Heyes-Lundie Violas - Ellen Brookes, Rhiannon Fallows Cellos - Greg Morton, Ele Leckie


LUCY
The biography of a rock star.

Credits:
Vocals, acoustic guitars, piano, Hammond organ, mellotron, synthesized glass - Joshua Burnell
Electric guitar - Nathan Greaves
Backing vocals - Frances Sladen
Drums - Ed Simpson
Bass guitar - Oliver Whitehouse


WHY THE RAVEN CRIES
When you want to help but you don’t know how.

Credits:
Vocals, acoustic guitars, piano, Hammond organ, string machine, string arrangement - Joshua Burnell
Electric guitars, backing vocals - Nathan Greaves
Drums - Ed Simpson
Backing vocals - Frances Sladen
Bass guitar - Oliver Whitehouse
Violins - Kathleen Ord, Elizabeth Heyes-Lundie
Violas - Ellen Brookes, Rhiannon Fallows
Cellos - Greg Morton, Ele Leckie


MOONLIGHTER’S CHILD
Our character comes to the end of their journey, reflects and must make choice. The easy option is always to give up; the hard option is always to struggle on into the unknown.

Credits:
Vocals, autoharp, acoustic guitars, bass guitar, piano, Hammond organ, synthesizers, string arrangement - Joshua Burnell
Electric guitars, backing vocals - Nathan Greaves
Backing vocals - Frances Sladen
Violins - Kathleen Ord, Elizabeth Heyes-Lundie Violas - Ellen Brookes, Rhiannon Fallows Cellos - Greg Morton, Ele Leckie

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Joshua Burnell York, UK

In one phrase? Folk-fused baroque ‘n’ roll for the modern world.
With music ranging from stomping, acoustic sing-alongs, Bowie-esque music hall epics, and alt-pop singles - whilst keeping a sharp focus on the traditional themes - Joshua is fast carving out his own unique corner of the genre. ... more

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